Virginia Slims cigarettes used to have an empowering ad campaign directed at women, “You’ve come a long way, baby.” If we ladies had come a little farther they would have left off “baby,” but it was the seventies and that’s as far as we had come: an anorexic cigarette, marketed specifically to our gender, empowering us to “bring home the bacon and fry it up in a pan.” (That was another ad campaign for Enjoli perfume).
Personally, my idea of “coming a long way” has nothing to do with being someone’s baby or frying bacon. Our world perpetually bombards us with messages meant to define the standards by which we measure our worth, success, value, and attractiveness. These cultural norms permeate everything from what we put in our coffee to what we ink on our bodies. A renaissance woman’s body would be considered chubby by today’s trends, just as the waifs of the eighties are considered a wisp of the athletically acceptable body type of today’s ideal woman.
And where is the God in any of it?
Would he measure how far we have come by what we smoke? Or how we smell? By how we look in a pair of lululemon leggings? Or how capable we are of having a successful career while we fry bacon for our families?
I am not sure how it started. I think there was a picture frame hanging on the wall that I thought was too small. In an attempt to fix it, I moved every single piece of furniture in my living room and adjacent dining room. Even though I feign weakness when there is something to lift that weighs more than three pounds, if there is furniture I want to move and no one is around to help, I become the unknown twin sister of the Incredible Hulk. Of course, it’s not pretty to turn the color of the jolly green giant but to be able to move ginormous slabs of wood around the room, one has to sacrifice vanity for vein-popping strength.
The color black is symbolic of funerals, representing everything from the heavy grief that overshadows the bereaved to the most common color-choice for attire. How strange then that the decision on whether to attend a funeral isn’t always as clear as the delineation between black and white. Many people fall into a gray area of not knowing the deceased well, but still wanting to support the grieving. It can feel like an awkward palette from which to draw — blending the darkness of death with the comfort of light.
I was talking to Jesus one night before bed and told him that his will for my life appears fairly willy-nilly. What are we really doing here, God? This? That? Does it even matter? It’s as if he thinks I can read the signs he sends. I can’t even read a map much less fold one, so why he thinks I can discern his will is a mystery to me. Still, I come back to that longing to know. It’s like a kid the night before their birthday trying to figure out what their gifts will be. It’s a sleepless mix of exhilaration and anticipation and longing for the relief of just knowing. What a gift the knowing would be.
I was doing my teenage Uber driving duties and thinking about the advice that encourages parents to talk to children in the car. After all, they are a captive audience, don’t have to make eye contact (because God forbid, we have any of that), and both parent and child are physically restrained –that might not have been among the reasons listed but it does seem worth noting. We were on the return portion of our journey into silence and I was lamenting the misery of it when I looked out the car window and saw a man sitting on a bus stop talking to himself. Our eyes met and for a moment he silenced.
Growing up, I was never in the talent show. It wasn’t even a consideration. I could barely pass math, so the notion of talent seemingly passed me by. Life felt too narrow to think of talent as anything other than singing, dancing, or playing a musical instrument – none of which I could do.
Summer feels thick right now – the heat, the ebb and flow of vacationers, and the realization that its end is looming like the swarm of mosquitos that emerge at dusk. I am kind of in a funk about it. Thinking there are only a few short weeks of summer left, I feel panic rise like the scorching mid-day heat. For three straight weeks, my family will be scattered in different places. The final weeks of summer stained with talk of orientation, school schedules, and college applications. Family time is back to being carved out like the mocking triangle eyes and jagged mouth of a pumpkin. I might as well get the Halloween decorations down from the attic.
The last day of vacation I woke up with a tingling feeling on my lips. When I looked in the mirror, even through the blur of twilight I could tell they were noticeably fuller — like the fairy godmother of plastic surgery had visited in the night. I checked different body parts to see if she had generously waved her wand in other places too. Sadly, it was just my lips.
The other day I was rushing to get somewhere when I was stopped by a red light — a very long red light. Heart-pumping, brain-whizzing, grip on the steering wheel clenching, I felt certain the world would end if the stoplight didn’t turn green that instant. I watched enviously as cars whizzed by wondering when it would be my turn, wondering if the light was broken, wondering how much longer I could possibly wait as all of humankind seemingly passed by at an unimpressive 40 miles per hour.
By definition, the word “no” has a negative connotation. It conveys restriction, refusal, and denial. It’s a flashing red light blinking a warning to stop. It’s a shut door. The end of a discussion. A command to pause.